Review: Manufacturing Depression by Gary Greenberg
By Lewis Wolpert for The Guardian
Gary Greenberg is a psychotherapist who joined a clinical trial for an antidepressant at a time when he was mildly depressed. He was diagnosed as severely depressed, got better, and found that his pill was a placebo. His book contains a major attack on antidepressants, and he blames the drug companies for the false advertising of their positive effects. He is also very critical of the concept of depression itself.
He is right that quite a lot of random clinical trials have failed to demonstrate the effectiveness of antidepressants – as opposed to placebos – in curing depression. However, he ignores the evidence that, for severe depression, they really can help. He accuses the drug industry of downplaying the numerous side-effects, such as the 774 papers showing their effect on sexual performance. In addition, he argues that the industry has successfully campaigned to persuade doctors and the public that they suffer in enormous numbers from a disease called depression when in fact they might not. Only someone who has not been seriously depressed could accept that. He suggests that those who benefit from antidepressants that raise serotonin levels might instead be thought of as suffering from Prozac-deficit disorder.
His main thesis seems to be that depression is not a disease or an illness. When a doctor says to a patient that he has depression, “He couches his judgments in the language of sickness and health rather than sin and virtue, which means he is cloaking his morality, even from himself, in science.” Impenetrable.
Greenberg devotes much space to tracing the history of ideas about depression, going back to Hippocrates, who identified melancholia as a distinct disease. He gives much attention to Emil Kraepelin, who believed the chief origin of psychiatric diseases to be biological and genetic malfunction. These are not ideas that he accepts: he views them as neurological tautologies. Psychiatry, he thinks, has been led astray by attaching itself to science, thus losing sight of humanity.
He is very critical of the Diagnostic and Statistical Manual of Mental Disorders, which is intended to help diagnosis by listing key symptoms, or scoring the answers to questions. This, he says, is “a way for the doctor to keep his eye on his notebook and not on the patient”. He is right that there is no unequivocal diagnosis of depression, and psychiatrists may quite often give a different diagnosis for the same patient. However, he does not point out how being depressed can in many cases render people unable to work, and ignores the fact that severe depression can result in self-harm, plunging the individual into a world unrelated to anything in everyday life. Nor does he mention research showing that almost all people who end their life by suicide have a mental illness, most commonly depression.
Severe depression is a terrible experience, as I know. William Styron, in Darkness Visible, describes his thought processes “being engulfed by a toxic and unnameable tide that obliterated any enjoyable response to the living world”. Greenberg’s advice to those who think they are depressed is to stop looking for a cause in their brain, which is just a story, but “to tell your own story about your discontents”.
There is no mention of sadness in the book, or the possibility that depression is an extreme form of sadness. Sadness is a universal human emotion, programmed by our genes, and its evolutionary function is to restore loss of some kind. This loss can be in a child left alone, break-up of a relationship, loss of a job, loss of money. It has been argued that mild depression is useful as it makes individuals reconsider their problems and perhaps give up certain goals that they are having great difficulty achieving. Mourning is clearly triggered by a serious loss, but is not necessarily depression.
It is clear that depression results from changes in the brain, because it can be induced by chemical means such as high concentrations of the hormone cortisol, or the drugs reserpine or alpha-interferon.
Depression can be thought of as sadness becoming malignant for a variety of reasons, not least genetic factors. Heritability of depression is more than 50%. Greenberg is very suspicious of ideas about the cell biology of depression, such as its being due to low levels of the neurotransmitter serotonin. He also ignores the evidence that a gene that lowers serotonin has been linked to depression.
He is not keen on psychoanalysis because it is not possible to verify its ideas, but he seems to accept the virtues of cognitive therapy, developed by the psychoanalyst Aaron Beck in the 1960s. The essence of this is to discuss with the patient their negative thoughts and to see if they are valid, then train them out of negative behaviours. Yet he attributes its success largely to the placebo effect. He is also very sceptical about the explanations that brain imaging have offered – but to take these seriously you have to believe that depression actually exists.
I found the book most unsatisfactory. While Greenberg writes very well and has a nice sense of humour, the arguments are often far too long and discursive, even though there is a lot of information buried in the text. Finally, I remain unclear as to what he thinks depression is, and how and if it should be treated. This book will not help either those who suffer from it or those who wish to understand it.
Lewis Wolpert’s books include Malignant Sadness (Faber).
NY Times Mulls Plan to Charge for Website Access: Will Murdoch Turn around and Smack the Gray Lady?
The Financial Times and the Guardian (UK) are reporting that the New York Times will soon decide whether to begin charging for access to its popular NYTimes.com website.
Quoting the Guardian:
The New York Times could reportedly take the decision to start charging for online news “within three to four weeks”.
Readers who subscribe to the print version of the New York Times could be charged $30 a year to gain access to its website, whereas nonsubscribers could be charged $60 a year, according to the Financial Times.
Considering that the Times had to abandon a similar plan in 2007 due to disappointing revenues, the current scheme may be a desperation move by the financially ailing newspaper to stay alive in an increasingly grim environment for print media of all kinds.
Again quoting the Guardian: “As revenues from print advertising continue to fall in tandem with newspapers‘ readership figures in the US and UK, and consumers increasingly turn to the internet to seek out news, moving to an online pay system would put the New York Times at the forefront of attempts by the industry to find alternative business models.”
To date, only The Financial Times and NewsCorp’s Wall Street Journal have found the internet subscription model financially viable.
Although Rupert Murdoch has recently indicated that he would consider extending the subscription model to other NewsCorp online properties, the pending move by the Times makes one wonder if Murdoch might not use his deep pockets instead to turn the Wall Street Journal site into a completely free access news hub — or at least for long enough to put the Times out of business.
It would be an audacious move, but one expects no less from Murdoch. And if the gambit were to succeed, Murdoch would end up with the Wall Street Journal online as the undisputed newspaper of record for the entire globe.
Vibe Magazine Shutting Down
Jeff Bercovici / DailyFinance.com
Vibe magazine, the urban-music magazine founded in 1993 by Quincy Jones, is the latest victim of the media recession. Multiple sources both within and outside the magazine confirmed that it is shutting down.
Reached for comment, chief financial officer Angela Zucconi said, “We will be making a statement by the end of the day. That’s all I can say at this point.” She referred further questions to CEO Steve Aaron, who was not immediately available. Messages left for editor in chief Danyel Smith and publishers Edgar Hernandez were not immediately returned. [Update: Media Decoder has official confirmation.]
Vibe enjoyed significant success in the late ’90s and early part of this decade as hip hop and R&B became the nation’s predominant forms of pop music. But in recent years the title has fallen on hard times under its new owner, the Wicks Group, which bought it in 2006. In February, it reduced its circulation and publishing frequency, cut salaries and moved employees to a four-day workweek to save money.
Current Trends in Art Book Publishing
Perhaps it says something about our era: The three headlining art books of the season are as much about commerce as they are about art.
The Saltzman book is about the market in a fairly direct way and the other two less so. But I think there’s a pretty common theme running through a lot of art-related journalism and publishing: It’s about the market first, and art last. If the art world decides that’s an unfortunate focus, it’s going to have to do something to change it.University press to the rescue: The University of California press is releasing an updated version of Lawrence Weschler’s classic book on Robert Irwin, complete with a new cover picture that seems to be from Irwin’s recent MCASD exhibition. [via] The hardcover will retail for $50 (!), but you can pre-order the paperback for under $17. (Also from UC Press: A quarter-century of Weschler’s conversations with David Hockney.)
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